Photo credit: Jean-Marie Côté
Harpist Abigail Kent has established a reputation as one of today’s most compelling artists, celebrated for their expressive artistry, technical mastery, and eloquent performances across a broad spectrum of solo, chamber, and orchestral repertoire. Known for thoughtfully curated recital programs and impactful concerto appearances, Kent’s artistry is marked by a distinct ability to forge deep connections with audiences.
They first garnered national recognition as winner and “Concert Artist” of the 2017 American Harp Society National Solo Competition, leading to recital tours throughout the United States. This early success was soon followed by international accolades, including finalist honors at the 2020 Young Concert Artist International Auditions and 3rd prize at the 2022 Korea International Harp Competition.
Kent’s devotion to orchestral collaboration is reflected in an impressive roster of appointments and guest performances. In addition to their current role as Principal Harpist of the Baltimore Symphony Orchestra, Kent previously served as Principal Harpist with the Hilton Head Symphony Orchestra and held the distinguished position of harp fellow at the New World Symphony. They have also appeared with esteemed ensembles such as the London Philharmonic Orchestra, Philadelphia Orchestra, Minnesota Orchestra, and Milwaukee Symphony Orchestra, earning praise for their flexibility and musical insight. Kent has participated widely in international festivals that include Aspen Music Festival, Pacific Music Festival (Sapporo, Japan), and Tanglewood Music Festival, among others.
A passionate and committed pedagogue, Kent inspires the next generation of harpists as a member of the faculty at the College of Charleston. Their commitment to education has extended to guest teaching appointments at renowned programs including the National Orchestral Institute, Brevard Music Center, Young Artist Harp Seminar, and American Harp Academy. Kent has also been invited to present masterclasses and lectures at major institutions and conferences such as The Juilliard School, the American Harp Society National Institute and Conference, and the American Harp Academy, shaping the future of their instrument with thoughtful mentorship.
Beyond performance and teaching, Abigail holds an interest in the intersection of music and wellness and is a certified yoga teacher (YTT300). They regularly provide yoga classes and lectures that specifically cater to harpists and musicians at organizations that include the World Harp Congress, New World Symphony, and University of Maryland.
Kent's academic training is as international as their artistic outlook. Their studies include formative years at the Royal Academy of Music in London, The Curtis Institute of Music, and Mannes School of Music before pursuing further musical and personal development at The Juilliard School where they completed the Doctor of Musical Arts degree, cementing their place among the most rigorously trained harpists of their generation.
Abigail Kent’s artistry, versatility, and commitment to musical excellence continue to earn them invitations to perform and teach at the highest level, securing their status as a leading voice in the world of harp today. Kent is equally at home in recital halls, orchestral stages, and classrooms—an artist whose influence is felt both on and beyond the concert stage.